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The Threepenny Opera
By Bertolt Brecht and Kurt Weill
29 May-21 June 2008, Maidment Theatre
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Directed by Michael Hurst

Design
John Verryt
Elizabeth Whiting
Victoria Ingram
Jeremy Fern

Musical Direction
Grant Winterburn

Movement
Marianne Schultz

Performance
Keith Adams
Paul Barrett
Amanda Billing
Peter Elliott
Delia Hannah
Waimihi Hotere
Charlie McDermott
Cameron Rhodes
Roy Snow
Esther Stephens
Elizabeth Tierney
Jennifer Ward-Lealand

Read the press release.

Presented by Silo Theatre and The Large Group

Preview: Thursday 29 May at 8:00pm
Monday and Tuesday at 7:00pm
Wednesday - Saturday at 8:00pm
Matinee: Saturday 21 June at 2:00pm

At its premiere THE THREEPENNY OPERA blew Berlin apart.  It was modern, sexy, shot through with urgent, anti-capitalist politics, full of hit tunes but with brutally honest and shockingly street-wise lyrics.

A noisy hotchpotch of stock operetta characters, American jazz, John Gay’s eighteenth century world of thieves, pimps and whores recast in a mythical Victorian London and all refracted through the decadent prism of Weimar cabaret.

Nearly eighty years on it is still an explosive work.  Its classic status has too often set it at a comfortable distance, but in the world of sports-shoe sweatshops and stockpiled food, its questions still roar.  Walking down the street, being asked for money by people living on the streets or watching cops in their tight black gloves moving people on, the city becomes fractured through Brecht’s prism.  In 2008, Brecht’s salient take on the human condition couldn’t be more necessary for production.

Regarded as one of the most influential dramatic works of the twentieth century (indeed of any century), its music and songs, including the legendary "Ballad of Mack the Knife", are seminal to the development of both musical theatre and jazz itself.

THE THREEPENNY OPERA is vivid, wild, entertaining, dramatic, dark, funny, violent, sexy, provocative and very, very human.